Archive for November, 2009

Weekend Playlist

30 November 2009

“If I’m going to Hell, I’m going there playing the piano.” ~ Jerry Lee Lewis


The Zutons | Who Killed The Zutons?


Jerry Lee Lewis | 18 Original Sun Greatest Hits


Jeff Buckley | Grace [Legacy Edition]


Thin Lizzy | Johnny The Fox


Various Artists | Gather In The Mushrooms: The British Acid Folk Underground 1968-1974


The Blasters | The Complete Slash Recordings


The Specials | Guilty ‘Til Proved Innocent!

Listen: Running Away


The Rolling Stones | LiveR Than You’ll Ever Be


Various Artists | Sweet Relief: A Benefit For Victoria Williams

Listen: Crazy Mary [Pearl Jam]


Stevie Ray Vaughan | Blues At Sunrise

Listen: Tin Pan Alley (aka Roughest Place In Town)


Brian Wilson | Smile

Listen: Surf’s Up


Various Artists | Martin Scorsese Presents The Blues


Iron & Wine and Calexico | In The Reins

Listen: Dead Man’s Will


Iggy Pop & The Stoogs | Live In LA 73

Listen: New Orleans


The Black Keys | Rubber Factory

Listen: Girl Is On My Mind


GZA | Liquid Swords

Listen: Shadowboxin’


Various Artists | Locations [Global Underground]

Listen: Mushrooms [Marshall Jefferson Vs Noosa Heads]


XTC | Upsy Daisy Assortment


Johnny Cash | Country Style 1958
[album cover not pictured]


Van Halen | Tokyo, Japan – 6/22/78
[album cover not pictured]

Buried Treasure: Love Is A Gas

29 November 2009

[Today: Paul K's dubious secret weapon...]

Paul Kopasz was born and raised in Detroit, attended the University of Kentucky as a member of their debate team, and ended up slumming around New York City, where he developed a heroin habit that drove him to petty crime and landed him in prison for two years. As Paul K, he’s used that checkered past to fuel his largely autobiographical songwriting. Part blue-collar Lou Reed, part cynical, low-rent Bruce Springsteen, Kopasz was primarily influenced by the late Townes Van Zandt, a personal friend who taught him how to keep his chin up when his records weren’t earning him even half a living. He confessed to Bang Sheet in 1998 that “If I hadn’t met Townes, I couldn’t still be doing this.”

All of Paul K’s records are dark, interesting, literate journeys to the wrong side of the tracks. His best, Love Is A Gas, was released in 1997, produced by ex-Velvet Underground drummer Maureen Tucker, and features his sometime backing band, The Weathermen. Stylistically it pinballs around from pop-ish new wave (‘Apple Of My Eye’) to ragged neo-soul (‘David Ruffin’s Tears’) to modern rock (‘Deep Freeze’) to a couple of offbeat covers that must be heard to be believed. On Stevie Wonder’s ‘Jesus Children Of America’, Kopasz drops the bottom out of the song, and sings as if the die is already cast and the children of America are doomed to the hell of suburbia. But even better is his version of Queen’s ‘You’re My Best Friend’, which is hidden at the end of the album’s title track. Here, Kopasz sings like he’s standing over his best friend’s grave, with a slow burn of emotion that doesn’t build, but simply dissipates into gray ether. It’s jaw-dropping stuff.

According to the 9th of Paul K’s personal 10 Commandments, “Going unnoticed may be a secret weapon.” Perhaps that’s true, but with an outstanding LP like Love Is A Gas under his belt, it’s a crime that Paul K is still going around unnoticed…

Listen: David Ruffin’s Tears

Listen: Jesus Children Of America

Listen: Love Is A Gas [w/ 'You're My Best Friend']

Masterpiece: Sweet Baby James

28 November 2009

[Today: James Taylor's picture postcard...]

From afar, a mountain range looks like a serene picture postcard. But up close, that same mountain can be isolated, dangerous, and scary terrain. James Taylor’s second album, Sweet Baby James, suffers from the same optical illusion – squint at it, and it appears to be lightweight, singer-songwriter fluff. But look a little closer, and explore the history behind some of the songs, and it becomes obvious that this album is deeper and darker than most listeners realize.

‘Fire And Rain’ might be the most misinterpreted song of the modern rock era. Reportedly about Taylor mourning the loss of a girlfriend in a plane crash, the song is actually a nod to the period he spent in a mental institution in the mid-60′s. “Sweet dreams and flying machines in pieces on the ground” isn’t about a plane crash, rather it references the breakup of Taylor’s band, The Flying Machine. Likewise, the phrase “Suzanne the plans they made put an end to you” isn’t about a fateful plane ticket being purchased (as one of my ex-girlfriends insisted), it’s about a friend of Taylor’s who was put in solitary confinement in an institution, and ended up committing suicide.

‘Sweet Baby James’ is a portrait of a cowboy at home on the range, but when Taylor sings about the 10,000 miles to go in his journey, one gets the sense that this song is really about all the untethered souls tumbling around the universe. ‘Sunny Skies’ seems to be a song about the happiest person in the world, until Taylor reveals that “Sunny Skies hasn’t a friend.” Elsewhere, Taylor re-casts Stephen Foster’s ‘Oh! Susanna’ in much darker tones, creating my single favorite moment on this rich album. I used to sing this song with my grade school music class (hi Mr. Kaiser!), and our spirited renditions were always VERY upbeat. The lyrics lend themselves to a sunny reading, and indeed, every other version of this song I’ve heard features Uncle Dave Macon-style pickin’ and grinnin’. But JT inverts this one, turning it into a dirge, and much like the rest of Sweet Baby James, it’s a song that stays with you long after the stylus has left the record…

Listen: Sweet Baby James

Listen: Fire And Rain

Listen: Oh, Susannah

A Dozen Things I’m Thankful For

26 November 2009

It’s time once again to bow my head and give thanks for a few of my favorite things…


1) The rejuvenated Fox Theater - A glittering jewel of a concert venue. But more importantly, this building has helped revitalize a large swath of downtown Oakland


2) Mix tapes - To everyone who sent me a mix in the last year – you know who you are, and I thank you…


3) Bach’s Brandenburg Concertos - The best holiday music that doesn’t deck the halls or go fa la la la la…


4) The writings of Mikal Gilmore - Perhaps the most underappreciated music writer out there, this Rolling Stone staffer’s latest book, Stories Told, is powerfully well-written…


5) Amoeba Music - I’d love for someone to show me a better record store, but it won’t happen…


6) Garage Rock - The Sonics, Downliners Sect, The Remains, ? And The Mysterians, Sam The Sham & The Pharaohs, Mad River, The Black Lips, and so many more. If it sounds like it belongs on Nuggets, it’s alright with me…


7) Hardly Strictly Bluegrass - We didn’t make it out to Golden Gate Park for this year’s festival, but HSB has become one of the best music fests in the country, and it’s free. What’s not to love?


8) Blue Mitchell - The best trumpet player you’ve probably never heard…


9) Steely Dan on tour again - The Royal Scam was amazing


10) John Martyn - This late crooner had a voice that does it for me every time…


11) Exiles - Alabama 3′s Exile On Coldharbour Lane, Liz Phair’s Exile In Guyville, and The Rolling Stones’ Exile On Main St are three albums that always sound good…


12) The P - My wife is the bomb…

*****

We can only be said to be alive in those moments when our hearts are conscious of our treasures.” ~ Thornton Wilder

*****

HAPPY THANKSGIVING!

5 – The Cover Art

25 November 2009

The P and I celebrated our 5th wedding anniversary last month. In mid-October of 2004, we were married on a dock on San Francisco Bay in front of 150 friends and family. It was a perfect day except for one small detail – due to a paperwork error, our marriage wasn’t officially recognized by the state of California. Oops!

Staring down a busy holiday season, and not wanting to put off the visit to City Hall to “officially” re-state our vows, we made an appointment for the day before Thanksgiving. Although we recognize our true anniversary as mid-October, we’re lucky – we get two days to celebrate our wedding.

With special thanks to dear friend Lisa for officially tying our knot, here’s our 5th anniversary mix…

[here's the front cover...]

[here's the inside front cover...]

[here's the back inside...]

[here's the back cover...]

[and here's the playlist...]

Jimmy Forrest _ I Love You
Kenny Dorham _ I Had The Craziest Dream
Lee Morgan _ This Is The Life
Art Farmer _ The Touch Of Your Lips
Blue Mitchell _ Sweet Pumpkin
Chet Baker _ Tenderly
Erik Truffaz _ Out Of A Dream
Booker Little _ If I Should Lose You
Cannonball Adderley _ Dancing In The Dark
Ben Webster _ You’d Be So Nice To Come Home To
Art Pepper _ I Can’t Believe That You’re In Love With Me
Ike Quebec _ It’s All Right With Me
Art Blakey & The Jazz Messengers _ Moanin’
Louis Armstrong _ I Get a Kick Out of You

Magic Moment: The Muppets Sing

25 November 2009

It’s a good thing that I’ve already detailed my love of The Muppets, because this brilliant video left me speechless…

Doubleshot Tuesday: Ascenseur Pour L’echafaud/Lock, Stock & Two Smoking Barrels

24 November 2009

[Today: Obscure soundtracks...]


Sometimes a soundtrack is forever tied to the film it was created for, but often, films just drift away and leave us with collections of music that live on. I have plenty of soundtracks for movies I’ve never seen, and two of my favorites in the obscure OST category are Ascenseur Pour L’echafaud, by Miles Davis and Lock, Stock & Two Smoking Barrels.

The former is moody jazz that provided the atmosphere for a now unknown French film. It contains mostly short, soft pieces, including my favorite Miles Davis track of all-time, ‘Generique’. This great bit of music has always painted a scene in my mind: a crow hops along a telephone wire as heat waves shimmer off a lonely blacktop highway in the middle of nowhere. At 170 seconds running time, it packs a bigger emotional punch than many a symphony.

Because I’ve never seen the accompanying film, I don’t have any images burned into my brain to go along with these songs, and I consider that a blessing. Same goes for Lock, Stock & Two Smoking Barrels. This soundtrack features snippets of dialogue, so I assume it’s a dark comedy about gangsters in the UK, but who knows and who cares? This collection of funk, reggae, soul and Stooges is all over the map in the best possible way. Stretch’s funky ‘Why Did You Do It’ is worth the price of admission alone, and tracks from the likes of Junior Murvin, Pete Wingfield and Dusty Springfield make this one a keeper.

Movies need their music, and as long as Hollywood keeps churning out motion pictures by the dozen, there will be an endless stream of soundtracks to keep entertaining us. And I for one couldn’t be happier about it…

Listen: Generique [Miles Davis]

Listen: Why Did You Do It [Stretch]

Listen: Florence Sur Les Champs-Elysées [Miles Davis]

Listen: 18 With A Bullet [Pete Wingfield]

Weekend Playlist

23 November 2009

“The release date is just one day, but the record is forever.” ~ Bruce Springsteen


Townes Van Zandt | Flyin’ Shoes


Bar-Kays | Soul Finger


Ween | Chocolate & Cheese


Black Sabbath | Never Say Die!


Mylo | Destroy Rock & Roll


The Four Tops | Anthology


X | Under The Big Black Sun


Bruce Springsteen | Darkness On The Edge Of Town


Sweet | Desolation Boulevard


Jackie Wilson | My Way
[Album cover not pictured]


Nick Lowe | Pure Pop For Now People


Dead Can Dance | Within The Realm Of A Dying Sun


Lee Perry & The Upsetters | Double Seven


MC5 | Thunder Express


Neko Case | Fox Confessor Brings The Flood


Robert Johnson | King Of The Delta Blues Singers


Mark Lanegan Band | Bubblegum


Outkast | Stankonia


PJ Harvey | Stories From The City, Stories From The Sea


The Meters | Funkify Your Life: The Anthology


INXS | Underneath The Colours


Sly & Robbie | Sly & Robbie Present Taxi


Paul K & The Weathermen | Love Is A Gas

Stuck In My Head: Thank You (Falettinme Be Mice Elf Agin)

21 November 2009

My mom graduated from the University Of Oregon Journalism school in 1979, and during her time there she was named Pac-10 Student Sportswriter Of The Year for her work on The Daily Emerald. She used to type her articles and term papers on an ancient manual typewriter, and when she wasn’t using it, I used to haul that piece of heavy equipment into my bedroom and bang out my own stories. The process of feeding a blank sheet of paper in the top and turning out an actual page full of paragraphs seemed downright magical to me then, and it still does, all these words and years later.

My mom went on to become a magazine editor, and through my years of school she always proved to be my toughest editor and critic. Many was the essay I showed her that came back covered in red ink, bleeding out a slow death from all those professional proofreading marks. She pushed me hard, and I love her for that.

In high school, Mr. Jonathan Siegle took me under his lovably pompous wing and taught me the finer points of writing. I vividly remember trudging to Springfield High for early Saturday (!) morning grammar and composition study sessions, which seems absolutely inconceivable to me now, but it happened. After I made my way to the UofO Journalism school, Ann Maxwell-Keding proved to be a generous, patient, and indispensable instructor (Ken Metzler played the same role for my mom during her time there). Ann’s advice and guidance literally changed my life…

I took five years to graduate from the UofO, and my fifth year was better than the first four combined. I bought cheap records, drank good beer, smoked stinky pot, and just like a hippie/student/derelict version of my seven year-old self, sequestered myself away for hours every day and wrote. Love poems to the universe, open letters about Jimi Hendrix, philosophical expositions on the true meaning of chess, short stories about cats with superpowers, taglines for drinking straw manufacturers, crude greeting cards – really any and all babble that burbled up, I wrote it down.

At that time I was interested in writing about music, but decided I didn’t know diddly squat (true enough) and I should wait until I was 35, and put in the requisite amount of listening before I started using permanent ink to jot down my opinions. I spent the intervening years listening to everything I could get my ears on, and in the meantime, the internet and blogs were developed, making it easy for people like me to publish writings for an actual living, breathing audience.

Somewhere in the early evening of this fine Saturday, this blog will record its 1,000,000th hit. That nice round number seemed like a good spot to pause and say thanks. Beyond the three mentors already noted, I have to thank you for providing me with an audience for my rantings and ravings. You’ve been a bigger audience than I expected, and a better audience than I deserve. Thanks for correcting my egregious errors, adding flavor in the comments section, and sharing your passion for music. Thanks for stopping by, and most of all, thanks for reading…

Listen: Thank You (Falettinme Be Mice Elf Agin) [Sly & The Family Stone]

Masterpiece: Is This It

20 November 2009

[Today: Take it or leave it...]

The Strokes broke so big with their 2001 full-length debut Is This It that they had critics accusing them of ripping off a laundry list of musicians that includes Velvet Underground, Iggy Pop, Television, New York Dolls, Buzzcocks, Joy Division, The Knack, and every New York musician this side of Billy Joel – a veritable who’s who of punk and new wave bands. Now, I’m no fancy pants criminal defense attorney, but if I were I’d have to wonder how many artists one group can be accused of ripping off before it becomes apparent that they haven’t stolen anything. By marrying a number of different influences into a snotty, sharp, post-punk New York City sound, The Strokes made music that reflected a lot of touchstone bands, while plundering none of them. If this band was guilty of anything in 2001, it was spending too much time on magazine covers and not enough preparing their follow up album.

But enough of that – if you’re a hater you’ve probably moved on by now. For the rest of us, Is This It was a blast of fresh air from the Big Apple. Julian Casablancas sings with a cool boredom that ought to grate – instead it squares perfectly with Nick Valensi and Albert Hammond Jr’s jagged, sleepless guitars. Not since Paul’s Boutique had an album so effectively captured the rhythm and attitude of NYC. “New York City cops/They ain’t too smart” is part of what got the song ‘NYC Cops’ yanked from the album at the last minute, in the wake of 9/11. Less clear is why the original cover art, featuring a woman’s gloved hand resting against her naked hip, was exchanged in the US for a piece of pseudo-Zodiac artwork. Bad move. The original cover (pictured above) was a much better match for the sass and strut of the music, but either way, this album breathed life into the stone dead corpse of post-punk, and gave us something to get excited about. And sometimes that’s all you need your music to do…

Listen: Is This It

Listen: Last Night

Listen: Take It Or Leave It


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